I
began to train as a carver of netsuke when I left school and studied
to become a P.E teacher. This is not as strange as it might appear
as it was at college that I learnt to study movement and observe
detail very closely.
As my family grew up I decided that I didn't want to continue teaching
but would rather persue my great interest in plants. Following a
move to Surrey, UK I started working at the Royal Horticultural
Society garden in Wisley. This was another useful training for carving
as very close examination of plants and flowers was necessary and
it eventually lead to me opening my own small nursery.
While
looking after the gardens of a stately home I started to study woodcarving,
a subject which had always interested me. I became a student at
the City and Guilds of London School of Art where I followed a course
of Church work ie. the type of carving perfected by Grinling Gibbons
which can be found in the choir at St. Paul's Cathederal and many
large houses around Britain.
My woodcarving was becoming increasingly detailed and eventually,
in 2002, I decided to follow this to it's logical
conclusion and start to carve netsuke, although at that time I had
only seen and admired them in pictures.
Most of my carvings are based on the natural world and I always
try to impart as much movement into each piece as possible.. I live
deep in the French countryside which provides constant inspiration.
I surround myself with objects and pictures and strive to find the
essence of my chosen subject; and while I always start with a clear
idea I find my carvings are often subject to serendipity. I don't
draw a design and I allow the wood itself to lead the carving onward.
I try to include suprises so that the observer has to spend time
studying the carving rather than seeing everything with a single
glance.
I work entirely by hand with the help of high magnification to achieve
the fine detail. I use fine rasps, gouges
and knives; the simplest netsuke take about a month from start to
finish while the time needed for the complicated ones can be anything
up to a year.
A R T I S T ' S P R O F I L E
July 2002 |
Carved
my first netsuke |
July 2003 |
Exhibited
at the Hilliard Society annual Exhibition, Wells Somerset UK |
November 2003 |
The
Society of Miniature Painters, Sculptors & Gravers Exhibition,
Washington DC USA |
November 2003 |
Annual
Exhibition Royal Miniature Society, Central Hall Westminster,
London |
December 2003 |
SAMAP
exhibition, Arras France |
May 2004 |
Moved
to SW France to live in the Lomagne not far from Toulouse. |
June 2004 |
Royal
Miniature Society Exhibition Mall Gallery London
The Bidder & Bourne award for the best sculpture... the
finest piece of the sculptors and gravers art.
As a result I was made an associate member at the AGM in July,
ARMS |
June 2004 |
World
Federation of Miniatures 3rd exhibition, Washington DC, USA |
November 2004 |
Hilliard
Society Annual Show. Awarded HS |
September 2005 |
First
visit to the International Netsuke Society Convention , San
Francisco USA |
November 2005 |
Hilliard
Society Annual Exhibition |
February 2006 |
Bonhams
London sold one of my netsuke at auction. |
July 2006 |
Royal
Miniature Society Annual Exhibition |
January 2007 |
Exhibitor
at the Kappa Convention, Florida USA International Netsuke Society
January 26th to 31st 2007 |
July 2009 |
Exhibitor
at the Hakutaku Convention. International Netsuke Society. New
York Palace Hotel
USA July 2 to 6 2009 |
October 2009 |
12
to 25 october : Royal miniature society annual exhibition.
Awarded Country Club UK sculpture award. |
|